BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Chinese Studies - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.sinologie-goettingen.de/en/
X-WR-CALDESC:Events for Chinese Studies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Helsinki
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20231029T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220413T130000
DTEND;TZID=Europe/Helsinki:20220413T150000
DTSTAMP:20260423T125854
CREATED:20220329T111955Z
LAST-MODIFIED:20220329T112331Z
UID:34273-1649854800-1649862000@www.sinologie-goettingen.de
SUMMARY:Waiting for Testing: Rewriting Theater History - A Workshop by Tian Gebing and WANG Yanan
DESCRIPTION:We are very honored to invite Director TIAN Gebing and Choreographer WANG Yanan. They will host the workshop at the University of Göttingen on April 13 and 14. Amid the commonly experienced disorientation in this game-changing crisis\, the workshop “Waiting for Testing – Rewriting Theatre History” proposes to hold a discussion on the history of the past two decades to look again at how\, in contemporary performance\, fugitive resistance and personal insurgence have formed biographies of surprise\, as well at how collective heterogeneous energy was generated through fragmentary and inorganic connections\, against the backdrop of the development of socio-historical space and power landscape in China. Director Tian will also briefly introduce his new performance at the Humboldt Forum in Berlin. He will lead the workshop from the modern history of East-West exchanges since the 18th century to enter topics such as “revolution” and “colonization”\, trying to initiate discussions from a historical and macro perspective. \n \nTime: April 13\, 1: 00 PM-3: 00 PM (TIAN) \nVenue: VG3.104\, the University of Göttingen \nThe first in-person event is limited to 40 attendees. Scan the QR code on the poster to register.  \nTIAN Gebing is a director\, curator\, and writer. He graduated from the Central Academy of Drama in Beijing in 1991. In 1997 he initiated the founding of Paper Tiger Studio. Over the past 20 years\, he has created a large number of artistic works and events mixing visual arts and performance. His works are seen in international cities and festivals around the world. Early works are exemplified by “Killer is Not Cold and High Art” (1998)\, “Cool” (2006)\, “Reading” (2010). From 2010 on he has shifted his focus to transcultural research and collaboration. Works in this period include “Dekalog” (2016)\, “500 Meters: Kafka\, Great Wall or Images from the Unreal World and Daily Heroism” (2017)\, “Infection\, State of Emergency\, Beethoven” (2020). Further in 2014 “Totally Happy” premiered at Münchner Kammerspiele. In 2021\, he collaborated with the ensemble of Muenchner Kammerspiele for “Hart Chamber Fragments”. \n \nTime: April 14\, 1: 00 PM-4: 00 PM (Wang) \nVenue: VG3.104\, the University of Göttingen \nThe second in-person event on April 14 is limited to 20 attendees. Scan the QR code on the poster to register. \nWANG Yanan is a dancer and choreographer. She graduated from Beijing Dance Academy. Since 1999 Wang worked for ten years with Living Dance Studio and was part of productions such as Birth Report and Body Report. She toured international cities and festivals and won the ZKB Award at Zürcher Theater Spektakel. In 2004\, she founded Le Se Dance Studio and has created works such as Le Se 1\, Le Se 2\, House\, etc. She collaborated with artists with various backgrounds and toured in European countries. She has been part of Paper Tiger works since 2001\, as a performer\, concept\, and choreography. In 2014\, she was commissioned by Hong Kong Arts Festival for Iron Horse. In 2014 she collaborated with Münchner Kammerspiele and Goethe Institute (China) for Totally Happy. In 2016 she was commissioned by Stary Teatr Kraków for “Dekalog”. In 2017 she worked with Thalia Theater Hamburg to create 500 Meters: Kafka\, Great Wall or Images from the Unreal World\, and Daily Heroism. In 2021 she collaborated again with Münchner Kammerspiele for “Heart Chamber Fragments”. \nInitiator: Dr. Yumin Ao \nAssistants: Nathalie Morenings\, Jiayue Li \nOrganizers: \nThe Department of East Asian Studies of the University of Göttingen; The Department of Theater\, Film and TV Arts of Nanjing University; The Academic Confucius Institute at the University of Göttingen \nPartners: \nThe Center for Modern East Asian Studies; The Journal of Ying Ming Theater; The Chinese Students and Scholars Association in Göttingen
URL:https://www.sinologie-goettingen.de/en/events/waiting-for-testing-rewriting-theater-history-a-workshop-by-tian-gebing-and-wang-yanan/
LOCATION:VG 3.104\, the University of Göttingen\, Platz der Göttinger Sieben 7\, Göttingen\, 37073
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220420T140000
DTEND;TZID=Europe/Helsinki:20220420T160000
DTSTAMP:20260423T125854
CREATED:20220422T072458Z
LAST-MODIFIED:20220422T072537Z
UID:34308-1650463200-1650470400@www.sinologie-goettingen.de
SUMMARY:"Contemporary Theater Art" Seminar Series
DESCRIPTION:Ms. ZHU Yi\, a New York-based bilingual playwright\, is to give a talk on “Writing New Plays in China and the US” on April 20th.  \nZoom Link: https://uni-goettingen.zoom.us/j/98307551103 \nProfessor Xiaomei CHEN from the University of California\, Davis\, will present a talk about “Performing the Socialist State” on May 4th.  \nZoom Link: https://uni-goettingen.zoom.us/j/95966904122 \nFor more information about the events and the guest speakers\, please visit https://yingmingtheater.com/chinese-culture-seminar-series/. \nKind regards\,  \nYumin
URL:https://www.sinologie-goettingen.de/en/events/contemporary-theater-art-seminar-series/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220422T120000
DTEND;TZID=Europe/Helsinki:20220422T140000
DTSTAMP:20260423T125854
CREATED:20220422T074057Z
LAST-MODIFIED:20220422T074126Z
UID:34322-1650628800-1650636000@www.sinologie-goettingen.de
SUMMARY:Lecture Kai Vogelsang (Universität Hamburg): China’s Fragmented Modernity
DESCRIPTION:April 22\, 2022\, 12:00 PM Amsterdam\, Berlin\, Rome\, Stockholm\, Vienna\nOn Campus: KWZ 0.610 (Heinrich-Düker-Weg 14\, 37073 Göttingen)\nOn Zoom: For registration\, please use this zoom link. \nWhen modern concepts and institutions entered China in the early 20th century\, they met a society which was quite unlike its European and American counterparts. While functional differentiation\, especially in the cities\, did make its appearance\, Chinese society was still characterized by a fragmentary substructure made up of so many families\, lineages\, and personal networks. This paper will introduce the concept of segmentary society and present some preliminary thoughts on how this social structure affected the formation of Chinese modernity: the concepts of a public vs. private sphere\, the individual\, social classes\, and others. \n.\nThis lecture is part of the lecture series New Perspectives on Modernity in China.\n.\nOrganizers:\nProf. Dr. Axel Schneider\, University of Göttingen\nProf. Dr. Thomas Fröhlich\, University of Hamburg
URL:https://www.sinologie-goettingen.de/en/events/lecture-kai-vogelsang-universitaet-hamburg-chinas-fragmented-modernity/
LOCATION:KWZ 0.610 sowie Online
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220428T110000
DTEND;TZID=Europe/Helsinki:20220428T120000
DTSTAMP:20260423T125854
CREATED:20220422T073511Z
LAST-MODIFIED:20220422T073618Z
UID:34316-1651143600-1651147200@www.sinologie-goettingen.de
SUMMARY:Global China Conversations #9:  Diskussionsreihe mitorganisiert durch das CeMEAS - Centre for Modern East Asian Studies
DESCRIPTION:Sprecherinnen\nProf. Dr. Doris Fischer\, Universität Würzburg\nVeronique Dunai\, IHK Frankfurt am Main \nDystopie eines autoritären Überwachungsstaats oder moderne Vision datenbasierter Regierungsführung? Das chinesische Sozialkreditsystem hat seit seiner offiziellen Ankündigung im Jahr 2014 für zahlreiche kontroverse Debatten gesorgt. Was genau jedoch ist das neue Bonitätssystem und wie wirkt es sich auf die chinesische Wirtschaft und europäische Unternehmen in China aus? Mit dem neuen Fünfjahresplan (2021–2025) soll auch das Sozialkreditsystem weiterentwickelt und vor allem zentralisiert werden. In zwei nationalen Datenbanken werden Informationen über Unternehmen geführt und Schwarz- sowie Rotlisten veröffentlicht. Positive Entwicklungen sowie Verstöße einzelner Unternehmen gegen Bestimmungen und Gesetze werden in den Datenbanken aufgeführt. Das System soll so zu mehr Compliance führen\, Vertrauens- und Kreditwürdigkeit von Unternehmen einsehbar machen\, aber auch Sanktionen bei gröberen Vergehen ermöglichen. Welche administrativen und bürokratischen Herausforderungen kommen auf europäische Unternehmen zu? Welche Risiken bestehen für Unternehmen auf “schwarze Listen” zu kommen? Wie wirkt sich die starke Fragmentierung des Systems auf Unternehmen aus? Kann das Sozialkreditsystem dazu beitragen\, Geschäftsbeziehungen zu verbessern? Wie entwickelt sich das Sozialkreditsystem weiter und welche Auswirkungen hat es auf das internationale Handelssystem? Diese und weitere Fragen diskutieren wir mit Ihnen und unseren Expertinnen in der neunten Global China Conversation. \nHier finden Sie mehr Information.
URL:https://www.sinologie-goettingen.de/en/events/global-china-conversations-9-diskussionsreihe-mitorganisiert-durch-das-cemeas-centre-for-modern-east-asian-studies/
LOCATION:Online
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20220429T160000
DTEND;TZID=Europe/Helsinki:20220429T180000
DTSTAMP:20260423T125854
CREATED:20220422T080935Z
LAST-MODIFIED:20220422T081135Z
UID:34326-1651248000-1651255200@www.sinologie-goettingen.de
SUMMARY:Lecture Rebecca Nedostup\, Associate Professor of History & East Asian Studies (Brown University): Is Modern Chinese History Secular?
DESCRIPTION:April 29\, 2022\, 4 PM\, Amsterdam\, Berlin\, Rome\, Stockholm\, Vienna\nOn Zoom: For registration\, please use this Zoom link. \nThis lecture takes up the most fundamental construction of secularization – the separation of the religious realm from that of politics\, philosophy\, science\, economics\, and so on – and asks not simply how it has influenced modern Chinese history\, but also historians’ imaginations of modern China. What are some routes by which the modern secularist narrative has been naturalized in considerations of the twentieth century\, and where is it challenged or reinforced? Is a flourishing field of modern religious history sufficient to break down such barriers? How might other fields and disciplines redirect inquiry in positive critical directions? In its second part\, the lecture will consider two cases of mid-twentieth-century transformations in conceptions of self\, sovereignty\, and community – one centered on sacrifice\, the other on aid and recovery. These cases offer one possible set of methods among many\, in which attention to scale and juxtaposition of sources portray the continued existence and reworkings of senses of space and time apart from the secular-nationalist narrative. \n. \nThis lecture is part of the lecture series New Perspectives on Modernity in China.
URL:https://www.sinologie-goettingen.de/en/events/lecture-rebecca-nedostup-associate-professor-of-history-east-asian-studies-brown-university-is-modern-chinese-history-secular/
LOCATION:Online
END:VEVENT
END:VCALENDAR