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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180605T103000
DTEND;TZID=Europe/Helsinki:20180605T120000
DTSTAMP:20260427T235518
CREATED:20180524T134013Z
LAST-MODIFIED:20180524T134402Z
UID:29539-1528194600-1528200000@www.sinologie-goettingen.de
SUMMARY:Dr. Liza Wing Man Kam: "Underneath the grand yellow imperial roofs of Martyrs’ Shrines: Taiwan’s colonial past and onwards and the political symbolisms at play"
DESCRIPTION:Abstract:\nThe paper investigates the shift of power symbolism represented in Shinto Shrines and Martyrs’ Shrines since the colonial era in Taiwan\, through putting architectural/urban design theories into dialogue with political history. Three architectural complexes\, Hualien Martyrs’ Shrine\, Taipei National Revolutionary Martyrs’ Shrine and the Imperial Palace in Peking are interpreted in material and spatial terms. \nHualien Martyrs’ Shrine and the Taipei National Revolutionary Martyrs’ Shrine\, located on the former sites of two annihilated Shinto Shrines built by the Japanese colonisers\, were commissioned and reconstructed by the Republican’s Party in Taiwan in the 1970s. Shifting from being the site enshrined with the spirits who fought to contribute the expansion of the Japanese Empire\, the current Martyrs’ Shrines were designated to commemorate the sacrificed lives who defended the Island of Taiwan in the Sino-Japanese War. Stripped off from the Japanese zukuri (architectural orders for Shinto Shrine constructions)\, the shrines are bedecked with the grand Imperial yellow roofs\, which accommodated the Chinese imperial power in the late Ming and Qing Dynasty– the very power that the Republicans strove to overthrow during the Xinhai Revolution in 1911. \nThrough analysing the Shinto Shrines\, the Martyrs’ Shrines and their material history\, I contend that a continual interplay of political symbolism via architectural representations from different authorities\, emerged from the Japanese colonial era\, followed by the Republicans’ authority since the Post-war era and till now with manipulation of the notion of ‘colonial legacy/ heritage’–essentially never ceases\, despite the situational considerations to the changing political and economic agendas proclaimed. \nShort bio:\nDr. Liza Wing Man Kam is Research Fellow (Architecture and Urban Studies) at the Max-Planck Institute for Religious and Ethnics Diversity and Assistant Professor of Urban Studies and Chinese Societies at the Department of East Asian Studies at the Georg-August University of Göttingen. She was trained as architect and later researcher in Hong Kong\, Singapore\, Liverpool\, London\, Paris and Germany. Her work on Hong Kong and Taiwan depicts the transformation of political\, societal and cultural symbolisms represented by the colonial urban heritage in their unique post-colonial settings by illustrating the inter-relation between architecture\, historiography\, identity formation and hence civic awareness. She currently investigates colonial Shinto Shrines in the Japanese occupied Taiwan as both religious space and political symbolisms for enunciating the different powers in post-war Taiwan. Her work puts into dialogue the local memory and the grand narrated history while interpreting the meaning of colonial urban heritage and colonial legacy.
URL:https://www.sinologie-goettingen.de/en/events/dr-liza-wing-man-kam-underneath-the-grand-yellow-imperial-roofs-of-martyrs-shrines-taiwans-colonial-past-and-onwards-and-the-political-symbolisms-at-play/
LOCATION:MPI. Max-Planck Institute for Study of Religious and Ethnic Diversity\, Hermann-Föge-Weg 12 (Villa)\, Göttingen\, 37073
ATTACH;FMTTYPE=image/jpeg:https://www.sinologie-goettingen.de/wp-content/uploads/2018/05/640px-National_Martyrs_Shrine_0732-e1527169371426.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180605T180000
DTEND;TZID=Europe/Helsinki:20180605T200000
DTSTAMP:20260427T235518
CREATED:20180524T125604Z
LAST-MODIFIED:20180524T125731Z
UID:29524-1528221600-1528228800@www.sinologie-goettingen.de
SUMMARY:Vortragsreihe „On Stage: Chinesische Oper im Kulturkontakt“ – Karsten Gundermann\, „China und die Barockmusik. Von Chinoiserien\, Missionaren und gegenwärtigen Experimenten“
DESCRIPTION:Abstract:\nIn der Chinamode des Barockzeitalters verbindet sich europäische Neugier auf Kurioses und Fremdes mit Projektionen eigener Träume auf das ferne „Reich der Mitte“. Ballette\, höfische Opern und Genrestücke der Kammermusik verlangten plötzlich nach chinesischen Klängen. Wie befriedigten die klassischen Komponisten Europas diese Nachfrage und welche Vorlagen nutzten sie? Was wusste man zur gleichen Zeit in China von der europäischen Musik? Wie fand sie Eingang in die chinesische Kultur und was hielt das östliche Publikum von ihr? Der Komponist Karsten Gundermann gewährt in seinem Vortrag Einblicke in die chinesische und europäische Musikgeschichte\, die er mit Hörbeispielen aus der Klassik und mit Ausschnitten aus dem eigenen Schaffen unterlegt. \nShort bio:\n\nKarsten Gundermann studierte Komposition in Dresden\, Beijing und New York. Mit der 1993 uraufgeführten „Nachtigall“ schuf er als erster westlicher Komponist eine Pekingoper\, die in China und Europa große Erfolge feierte. Mit einer eigenwilligen Neubearbeitung von Glucks „Le Cinesi“ glückte Gundermann im Jahr 2010 eine Verbindung von Pekingoper und Barockoper. Im Jahr 2017 erregte sein Ausstellungsprojekt „Secret Sounds of China“ große Aufmerksamkeit. \nMehr Informationen zur Vortragsreihe “On Stage: Chinesische Oper im Kulturkontakt” finden Sie hier.
URL:https://www.sinologie-goettingen.de/en/events/vortragsreihe-on-stage-chinesische-oper-im-kulturkontakt-karsten-gundermann-china-und-die-barockmusik-von-chinoiserien-missionaren-und-gegenwaertigen-experimen/
LOCATION:Tagungs- und Veranstaltungshaus Alte Mensa\, Hannah-Vogt-Saal\, Wilhelmsplatz 3\, Göttingen\, 37073
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180605T180000
DTEND;TZID=Europe/Helsinki:20180605T200000
DTSTAMP:20260427T235518
CREATED:20180524T140638Z
LAST-MODIFIED:20180524T140638Z
UID:29549-1528221600-1528228800@www.sinologie-goettingen.de
SUMMARY:Todd Hall (Oxford University): The Senkaku Islands Dispute: A MacGruffin?
DESCRIPTION:Short Bio of the lecturer:\nProf Hall earned his PhD from the University of Chicago in 2008 and has held postdoctoral fellowships at Princeton and Harvard\, as well as visiting scholar appointments at the Free University of Berlin\, Tsinghua University in Beijing\, and the University of Tokyo. Prior to joining the University of Oxford\, Prof Hall held the position of Assistant Professor in Political Science at the University of Toronto (2010-2013). Research interests extend to the areas of international relations theory; the intersection of emotion\, affect\, and foreign policy; and Chinese foreign policy. Recent publications include articles in Asian Security\, International Organization\, International Security\, International Studies Quarterly\, International Studies Review\, Political Science Quarterly\, and Security Studies. Prof Hall has also published a book with Cornell University Press\, titled Emotional Diplomacy: Official Emotion on the International Stage\, which was recently named co-recipient of the International Studies Association’s 2016 Diplomatic Studies Section Book Award.\nProf Hall’s research fields include:\nTheorizing the role of emotions and affect in international politics.\nThe international relations of East Asia\, with a specific focus on the foreign policy of China. \nInformation from Oxford University
URL:https://www.sinologie-goettingen.de/en/events/todd-hall-oxford-university-the-senkaku-islands-dispute-a-macgruffin/
LOCATION:Waldweg 9.102\, Waldweg 26\, Göttingen\, 37073\, Deutschland
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180607T160000
DTEND;TZID=Europe/Helsinki:20180607T180000
DTSTAMP:20260427T235518
CREATED:20180427T062715Z
LAST-MODIFIED:20180427T065623Z
UID:29422-1528387200-1528394400@www.sinologie-goettingen.de
SUMMARY:Dominique Hertzer: "Die Resonanz von Körper und Geist –  Zur Philosophie des Geistes im Chinesischen Denken"
DESCRIPTION:Abstract:\nDie chinesische Vorstellung vom „Geist“ (shen 神) wird oftmals mit der westlichen Vorstellung von der „Psyche“ oder „der Seele“ gleichgesetzt. Doch gibt es im Chinesischen Denken überhaupt Vorstellungen\, die unseren Begriffen von Psyche oder Seele entsprechen? Ausgehend von den klassischen Fragen des Leib-Seele Diskurses im Abendland werden wir uns der chinesischen Vorstellung nähern\, die das Verhältnis von Geist (shen 神) und Körper (xing 形) generell als eines der Polarität verhandelt. Es wird zu zeigen sein\, dass die Ebene des Geistig-Seelischen im Chinesischen Denken nicht im Sinne einer Einheit – also des „einen“ Geistes oder der „einen“ Seele -\, sondern in Gestalt einer fünffachen Auffächerung des Geistes zu verstehen ist\, die sich  in Resonanz zu den verschiedenen (korrespondierenden) Aspekten des  Leibes bewegt. Im Zentrum steht die Frage\, ob es in einem derartigen Resonanzverhältnis eine Ursache- Wirkungsbeziehung zwischen Geist und Körper geben kann und welcher Art ihre gegenseitige Beeinflussung ist. Vor dem Hintergrund der gegenwärtigen Diskussion um die Frage nach der Freiheit des menschlichen Willens und des Bewusstseins\, wie sie derzeit in der Philosophie und den Neurowissenschaften geführt wird\, mag der Blick auf das Chinesische Denken vielleicht auch an dieser Stelle eine neue Perspektive zu eröffnen\, die die Diskussion von festgefahrenen Standpunkten befreit.
URL:https://www.sinologie-goettingen.de/en/events/dominique-hertzer-die-resonanz-von-koerper-und-geist-zur-philosophie-des-geistes-im-chinesischen-denken/
LOCATION:Kulturwissenschaftliches Zentrum\, KWZ 0.607\, Heinrich-Düker-Weg 14\, Göttingen\, 37073
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180612T180000
DTEND;TZID=Europe/Helsinki:20180612T200000
DTSTAMP:20260427T235518
CREATED:20180427T065016Z
LAST-MODIFIED:20180427T065933Z
UID:29426-1528826400-1528833600@www.sinologie-goettingen.de
SUMMARY:Saori Katada (University of Southern California): "The BRICS and Collective Financial Statecraft"
DESCRIPTION:Abstract:\nIn the first decade of the 21st century\, five rising powers (Brazil\, Russia\, India\, China\, and South Africa) formed an exclusive and informal international club\, the BRICS.  Although neither revolutionaries nor extreme revisionists\, the BRICS perceive an ongoing global power shift and contest the West’s pretensions to permanent stewardship of the existing economic order. Together they have exercised collective financial statecraft\, employing their expanding financial and monetary capabilities for the purpose of achieving larger foreign policy goals. This volume examines the forms and strategies of such collective financial statecraft\, and the motivations of each individual government for collaborating through the BRICS club. Their cooperative financial statecraft takes various forms\, ranging from pressure for “inside reforms” of either multilateral institutions or global markets\, to “outside options” exercised through creating new multilateral institutions or jointly pushing for new realities in international financial markets. To the surprise of many observers\, the joint actions of the BRICS are largely successful.  Although each member has its unique rationale for collaboration\, the largest member\, China\, controls resources that permit it the greatest influence in intra-club decision-making. The BRICS cooperate due to both common aversions (for example\, resentment over being perennial junior partners in global economic and financial governance and resistance to infringements on their autonomy due to U.S. dollar dominance and financial power) and common interests (such as obtaining greater voice in international institutions\, as the IMF). The group seeks reforms\, influence\, and enhanced leadership roles within the liberal capitalist global system. Where blocked\, they experiment with parallel multilateral institutions in which they are the dominant rule-makers. The future of the BRICS depends not only on their bargaining power and adjustment to market players\, but also on their ability to overcome domestic impediments to sustainable economic growth\, the basis for their international influence.
URL:https://www.sinologie-goettingen.de/en/events/saori-katada-university-of-southern-california-the-brics-and-collective-financial-statecraft/
LOCATION:Verfügungsgebäude VG 3.103\, Platz der Göttinger Sieben 7\, Göttingen\, 37073
ATTACH;FMTTYPE=image/png:https://www.sinologie-goettingen.de/wp-content/uploads/2018/04/Brics-1-e1524812281690.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180619T180000
DTEND;TZID=Europe/Helsinki:20180619T200000
DTSTAMP:20260427T235518
CREATED:20180524T131355Z
LAST-MODIFIED:20180524T131445Z
UID:29530-1529431200-1529438400@www.sinologie-goettingen.de
SUMMARY:Vortragsreihe „On Stage: Chinesische Oper im Kulturkontakt“ – Dr. Andreas Seifert\, „Bühnen aus Papier. Popularisierung von Opern- und Theaterstoffen im chinesischen Comic“
DESCRIPTION:Abstract:\nIn diesem Vortrag geht es um die Darstellung und Wiedergabe von Opern und anderen Bühnenstücken im chinesischen Comic (lianhuanhua 连环画). Dabei wird ein historischer Bogen gespannt\, der bei der Bühne als Ausgangspunkt der chinesischen Comicentwicklung ansetzt\, sich über die weitere Entwicklung der Comics als Mittel der politischen\, kulturellen und technischen Bildung erstreckt und mit ihrer Indienstnahme für die politische Indoktrination während der späten Jahre der Kulturrevolution endet. Auch nach dem Beginn der Politik von Reform und Öffnung spielten die chinesischen Comics eine zentrale Rolle in der kulturellen Bildung. Anhand von zahlreichen Beispielen wird der besondere Stellenwert\, den die Wiedergabe von Bühnenstücken (mit Schwerpunkt Oper) im Comic einnahm\, veranschaulicht und analysiert. Die dem Vortrag zugrundeliegende These lautet\, dass es gerade das lianhuanhua ist\, das zur Popularisierung von Opern- und Bühnenstücken in China beigetragen hat. \nShort bio:\nAndreas Seifert ist promovierter Sinologe und hat sich in Studium und Forschung mit populären Bildmedien aus China beschäftigt. 2010 kuratierte er zusammen mit dem Cartoon-Museum Basel die Ausstellung „Wortbilder“ zu chinesischen Comics. Ein weiterer Schwerpunkt seiner wissenschaftlichen Tätigkeit ist die Auseinandersetzung mit der Militär- und Sicherheitspolitik der Volksrepublik China. \nMehr Informationen zur Vortragsreihe “On Stage: Chinesische Oper im Kulturkontakt” finden Sie hier.
URL:https://www.sinologie-goettingen.de/en/events/vortragsreihe-on-stage-chinesische-oper-im-kulturkontakt-dr-andreas-seifert-buehnen-aus-papier-popularisierung-von-opern-und-theaterstoffen-im-chinesischen-co/
LOCATION:Theologicum\, T0.134\, Platz der Göttingen Sieben 2\, Göttingen\, 37073
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180626T121500
DTEND;TZID=Europe/Helsinki:20180626T134500
DTSTAMP:20260427T235518
CREATED:20180605T151454Z
LAST-MODIFIED:20180605T154556Z
UID:29592-1530015300-1530020700@www.sinologie-goettingen.de
SUMMARY:Marijk van der Wende and Marcus Düwell (Utrecht University): The New Silk Road: Implications for higher education and research cooperation between China and Europe
DESCRIPTION:Abstract:\nRecent geopolitical events such as Brexit and the US turning its back on international trade and cooperation create waves of uncertainty in higher education regarding international cooperation\, the free movement of students\, academics\, scientific knowledge\, and ideas. Meanwhile China is launching new global initiatives with its New Silk Road (or One Belt One Road) project\, which could potentially span and integrate major parts of the world across the Euro-Asian continents. But likely on new and different conditions\, also for higher education. \nHow will the NSR affect European higher education and research? What types of academic flows and activities emerge along the NSR\, how do universities respond\, under what conditions are these activities taking place\, who defines these\, based on what values\, and do we actually understand these values at all?  \nAbout the speakers:\nMarijk van der Wende is Distinguished Professor of Higher Education at Utrecht University’s Faculty of Law\, Economics and Governance. Her research focuses on the impact of globalization and internationalization on higher education. She is also an affiliate faculty and research associate at the Center for Studies in Higher Education (CSHE) at the University of California Berkeley and member of the Academia Europaea. Previously she held full professorial positions at VU University Amsterdam (2006-2015)\, the University of Twente (2001-2016)\, and was a visiting scholar at Harvard University (Fairbank Center for Chinese Studies)\, Boston College (Centre for International Higher Education)\, Shanghai Jiao Tong University (Graduate School of Education)\, and the University of California Berkeley (CSHE).  \nMarcus Düwell holds a chair for philosophical ethics at Utrecht University. He is director of the Ethics Institute of Utrecht University and director of the Utrecht Research Institute for Philosophy and Religious Studies. From 2005-2012 he was director of the Netherlands Research School for Practical Philosophy. Düwell studied Philosophy\, German Literature and Theology in Tübingen and Munich. His PhD-thesis at the university of Tübingen was a philosophical investigation about the relationship between ethics and aesthetics. From 1993-2001 he was academic coordinator of the Interdepartmental Center for Ethics in the Sciences and Humanities at the University of Tübingen. His research interests include bioethics\, ethics of climate change and general topics of moral and political philosophy\, particular the ethics of human dignity and human rights.
URL:https://www.sinologie-goettingen.de/en/events/marijk-van-der-wende-and-marcus-duewell-utrecht-university-the-new-silk-road-implications-for-higher-education-and-research-cooperation-between-china-and-europe/
LOCATION:Verfügungsgebäude VG 1.102\, Platz der Göttinger Sieben 7\, Göttingen\, 37073
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