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DTSTART:20191027T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20180605T103000
DTEND;TZID=Europe/Helsinki:20180605T120000
DTSTAMP:20260428T041750
CREATED:20180524T134013Z
LAST-MODIFIED:20180524T134402Z
UID:29539-1528194600-1528200000@www.sinologie-goettingen.de
SUMMARY:Dr. Liza Wing Man Kam: "Underneath the grand yellow imperial roofs of Martyrs’ Shrines: Taiwan’s colonial past and onwards and the political symbolisms at play"
DESCRIPTION:Abstract:\nThe paper investigates the shift of power symbolism represented in Shinto Shrines and Martyrs’ Shrines since the colonial era in Taiwan\, through putting architectural/urban design theories into dialogue with political history. Three architectural complexes\, Hualien Martyrs’ Shrine\, Taipei National Revolutionary Martyrs’ Shrine and the Imperial Palace in Peking are interpreted in material and spatial terms. \nHualien Martyrs’ Shrine and the Taipei National Revolutionary Martyrs’ Shrine\, located on the former sites of two annihilated Shinto Shrines built by the Japanese colonisers\, were commissioned and reconstructed by the Republican’s Party in Taiwan in the 1970s. Shifting from being the site enshrined with the spirits who fought to contribute the expansion of the Japanese Empire\, the current Martyrs’ Shrines were designated to commemorate the sacrificed lives who defended the Island of Taiwan in the Sino-Japanese War. Stripped off from the Japanese zukuri (architectural orders for Shinto Shrine constructions)\, the shrines are bedecked with the grand Imperial yellow roofs\, which accommodated the Chinese imperial power in the late Ming and Qing Dynasty– the very power that the Republicans strove to overthrow during the Xinhai Revolution in 1911. \nThrough analysing the Shinto Shrines\, the Martyrs’ Shrines and their material history\, I contend that a continual interplay of political symbolism via architectural representations from different authorities\, emerged from the Japanese colonial era\, followed by the Republicans’ authority since the Post-war era and till now with manipulation of the notion of ‘colonial legacy/ heritage’–essentially never ceases\, despite the situational considerations to the changing political and economic agendas proclaimed. \nShort bio:\nDr. Liza Wing Man Kam is Research Fellow (Architecture and Urban Studies) at the Max-Planck Institute for Religious and Ethnics Diversity and Assistant Professor of Urban Studies and Chinese Societies at the Department of East Asian Studies at the Georg-August University of Göttingen. She was trained as architect and later researcher in Hong Kong\, Singapore\, Liverpool\, London\, Paris and Germany. Her work on Hong Kong and Taiwan depicts the transformation of political\, societal and cultural symbolisms represented by the colonial urban heritage in their unique post-colonial settings by illustrating the inter-relation between architecture\, historiography\, identity formation and hence civic awareness. She currently investigates colonial Shinto Shrines in the Japanese occupied Taiwan as both religious space and political symbolisms for enunciating the different powers in post-war Taiwan. Her work puts into dialogue the local memory and the grand narrated history while interpreting the meaning of colonial urban heritage and colonial legacy.
URL:https://www.sinologie-goettingen.de/en/events/dr-liza-wing-man-kam-underneath-the-grand-yellow-imperial-roofs-of-martyrs-shrines-taiwans-colonial-past-and-onwards-and-the-political-symbolisms-at-play/
LOCATION:MPI. Max-Planck Institute for Study of Religious and Ethnic Diversity\, Hermann-Föge-Weg 12 (Villa)\, Göttingen\, 37073
ATTACH;FMTTYPE=image/jpeg:https://www.sinologie-goettingen.de/wp-content/uploads/2018/05/640px-National_Martyrs_Shrine_0732-e1527169371426.jpg
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DTSTART;TZID=Europe/Helsinki:20180605T180000
DTEND;TZID=Europe/Helsinki:20180605T200000
DTSTAMP:20260428T041750
CREATED:20180524T125604Z
LAST-MODIFIED:20180524T125731Z
UID:29524-1528221600-1528228800@www.sinologie-goettingen.de
SUMMARY:Vortragsreihe „On Stage: Chinesische Oper im Kulturkontakt“ – Karsten Gundermann\, „China und die Barockmusik. Von Chinoiserien\, Missionaren und gegenwärtigen Experimenten“
DESCRIPTION:Abstract:\nIn der Chinamode des Barockzeitalters verbindet sich europäische Neugier auf Kurioses und Fremdes mit Projektionen eigener Träume auf das ferne „Reich der Mitte“. Ballette\, höfische Opern und Genrestücke der Kammermusik verlangten plötzlich nach chinesischen Klängen. Wie befriedigten die klassischen Komponisten Europas diese Nachfrage und welche Vorlagen nutzten sie? Was wusste man zur gleichen Zeit in China von der europäischen Musik? Wie fand sie Eingang in die chinesische Kultur und was hielt das östliche Publikum von ihr? Der Komponist Karsten Gundermann gewährt in seinem Vortrag Einblicke in die chinesische und europäische Musikgeschichte\, die er mit Hörbeispielen aus der Klassik und mit Ausschnitten aus dem eigenen Schaffen unterlegt. \nShort bio:\n\nKarsten Gundermann studierte Komposition in Dresden\, Beijing und New York. Mit der 1993 uraufgeführten „Nachtigall“ schuf er als erster westlicher Komponist eine Pekingoper\, die in China und Europa große Erfolge feierte. Mit einer eigenwilligen Neubearbeitung von Glucks „Le Cinesi“ glückte Gundermann im Jahr 2010 eine Verbindung von Pekingoper und Barockoper. Im Jahr 2017 erregte sein Ausstellungsprojekt „Secret Sounds of China“ große Aufmerksamkeit. \nMehr Informationen zur Vortragsreihe “On Stage: Chinesische Oper im Kulturkontakt” finden Sie hier.
URL:https://www.sinologie-goettingen.de/en/events/vortragsreihe-on-stage-chinesische-oper-im-kulturkontakt-karsten-gundermann-china-und-die-barockmusik-von-chinoiserien-missionaren-und-gegenwaertigen-experimen/
LOCATION:Tagungs- und Veranstaltungshaus Alte Mensa\, Hannah-Vogt-Saal\, Wilhelmsplatz 3\, Göttingen\, 37073
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DTSTART;TZID=Europe/Helsinki:20180605T180000
DTEND;TZID=Europe/Helsinki:20180605T200000
DTSTAMP:20260428T041750
CREATED:20180524T140638Z
LAST-MODIFIED:20180524T140638Z
UID:29549-1528221600-1528228800@www.sinologie-goettingen.de
SUMMARY:Todd Hall (Oxford University): The Senkaku Islands Dispute: A MacGruffin?
DESCRIPTION:Short Bio of the lecturer:\nProf Hall earned his PhD from the University of Chicago in 2008 and has held postdoctoral fellowships at Princeton and Harvard\, as well as visiting scholar appointments at the Free University of Berlin\, Tsinghua University in Beijing\, and the University of Tokyo. Prior to joining the University of Oxford\, Prof Hall held the position of Assistant Professor in Political Science at the University of Toronto (2010-2013). Research interests extend to the areas of international relations theory; the intersection of emotion\, affect\, and foreign policy; and Chinese foreign policy. Recent publications include articles in Asian Security\, International Organization\, International Security\, International Studies Quarterly\, International Studies Review\, Political Science Quarterly\, and Security Studies. Prof Hall has also published a book with Cornell University Press\, titled Emotional Diplomacy: Official Emotion on the International Stage\, which was recently named co-recipient of the International Studies Association’s 2016 Diplomatic Studies Section Book Award.\nProf Hall’s research fields include:\nTheorizing the role of emotions and affect in international politics.\nThe international relations of East Asia\, with a specific focus on the foreign policy of China. \nInformation from Oxford University
URL:https://www.sinologie-goettingen.de/en/events/todd-hall-oxford-university-the-senkaku-islands-dispute-a-macgruffin/
LOCATION:Waldweg 9.102\, Waldweg 26\, Göttingen\, 37073\, Deutschland
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